Know More About a Raga
|
Download this pdf : |
| ||
Name of raga :
If it is janya , Name of parent raga :
Arohana & Avarohana :
Swarasthanas,as per Shodasa Padhati:
For which note you can give gamakas :
For which note you can give pause:
Presence of anya swaras :
if so is it present in arohana & avarohana:
Or in raga phrases ,
Mention those phrases :
Most relevant phrase to start ragalapana:
(mention minimum 3 )
Significant phrase :
Note jumping note skipping phrases :
Non scalar phrases :
Conditions (if any) :
Compositions in this raga :
If it is janya , Name of parent raga :
Arohana & Avarohana :
Swarasthanas,as per Shodasa Padhati:
For which note you can give gamakas :
For which note you can give pause:
Presence of anya swaras :
if so is it present in arohana & avarohana:
Or in raga phrases ,
Mention those phrases :
Most relevant phrase to start ragalapana:
(mention minimum 3 )
Significant phrase :
Note jumping note skipping phrases :
Non scalar phrases :
Conditions (if any) :
Compositions in this raga :
This format is designed to help you understand, analyse, and document a raga in a systematic and easy-to-follow manner. A raga is not defined merely by its Arohana & Avarohana ; its identity is also shaped by characteristic phrases, important swaras, gamakas, prayogas, nyasa swaras, and other musical nuances.
Use this format to observe and record the conditions, distinctive features, and important phrases associated with each raga. Going through the details carefully will make it easier to recognize the raga, understand its structure, and apply its phrases correctly in practice.
The aim is not just to learn the rules of a raga, but to understand how the raga actually moves and expresses itself in music. This approach will make your learning more organized, practical, and enjoyable.
Use this format to observe and record the conditions, distinctive features, and important phrases associated with each raga. Going through the details carefully will make it easier to recognize the raga, understand its structure, and apply its phrases correctly in practice.
The aim is not just to learn the rules of a raga, but to understand how the raga actually moves and expresses itself in music. This approach will make your learning more organized, practical, and enjoyable.
Ragalapana Tutorial
A
|
Amrithavarshini |
|
|
Arabhi |
|
|
|
|
Anandabhairavi |
|
B
|
Bahudhari |
|
|
Bhairavi |
|
|
|
Bihag
|
|
D
|
Desh |
|
|
Dwijavandi |
|
|
G
|
Goula |
|
H
|
Hamsadwani |
|
|
|
Hamsanadam |
|
K
|
Kalyani |
|
|
|
Kapi |
|
|
|
|
|
|
|
|
Khamas |
|
|
Kharaharapriya |
|
M
|
Madhyamavati |
|
N
|
Nalinakandi |
|
|
|
|
Nattai |
|
|
Nattakkurinchi |
|
|
Neelambari |
|
P
|
Panduvarali |
|
|
Poorvikalyani |
|
S
|
Saraswati |
|
|
Saveri |
|
|
Sindubhairavi |
|
V
|
Vasanda |
|
|
Valachi |
|
|