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 Indian classical music

          All branches of knowledge can be grouped under two heads Arts(kala) and Science(shastra). The chaturshasti kala (64 kalas) mentioned in ancient works include music as one of the most important arts, which appeals through the medium of the ear. This is one of the performing arts.  
          ‘Sangita’ is the Indian term denoting music. ‘Gandharva Tatva’ is musicology or the science of music. Ancient writers were of the opinion that Gitam (vocal music), Vadya (instrumental music) ,and Nirtya (dance music) together constituted Sangita. With the rapid advance made in the field of pure music, the art of dance was separated and the two alone constituted Sangita in the later years.
            Music has existed from the very beginning of history. It is found in all countries irrespective of whether the people are cultured or uncultured , literate or illiterate. Man has always been attracted by the beauty in different forms of music. Though only a few nations have developed a classical system of music. Music appeals to all people irrespective of nationality , race, caste, creed and religion.

          Indian classical music is both elaborate and expressive. It is classified into  Carnatic music and Hindustani music.
​

 Gandharva Tatva                                                       


​ 1. Sruthi
​
 2. Swara
 3. Sthayi
​
 4. Raga
​
 5. 72 Melaraga Scale
​
 6. Kadapayadi Sutra
​
 7. Trayodasa lakshanas
​
 8. Ragalakshana
 9. Model shift of tonic
​
10. Thala prastara
11. Kala (tempo)
​

​12. Musical Forms
​13. Musical Terms
​14. Life History​ of Composers
​15. Musical Instruments
​16. ​Technical Terms
​17. Musical prosody 

18. Acoustics
​
19. Musical Mnemonics
20. Greatness Of Carnatic Music
21. Manodharma Sangeetham
​22. Gamakas

​23.Origin and development of
​     Indian Music
​24. History of Indian Music
25. Notation System
26. Folk music
​27. Kathakali Sangeetham
28. Difference Between Hindustani
      and Carnatic Music
29. Western Music - a small
      Introduction

Contents

Sruti
Sruti (22 srutis)
Sruti Intervals
Bharatha Muni's Approach
Druva veena - Chala veena Experiment
​Cycle of 5th, 4th and 3rd
Sruti jathis
Dviguna Relationship
​​Septimal Ratios
Complementary Intervals


Swara

Nada
Sruti
Swara
Sapta swara
Dwadasa Swarasthanas
Shodasa Swarasthanas
Vadi, Samvadi, Anuvadi & Vivadi
Grahaswara, Amsa swara & Nyasa swara


​Sthayi (Five Octaves)

Raga
Raga
Basic classification of Ragas -> Janaka, Janya, Varjya, Vakra, Upanga, Bhashanga
Classification of Bhashanga ragas
Nishadandhya, Dhaivatandhya, Panchamandhya, Madhyamandhya Ragas
Fixing Janaka ragas for Janya ragas
Kriyanga Ragas
Ghana, Naya, Desya 
Karnataka & Desya
Sudha, Chhayalaga & Sankeerna
Svasthana visada - Gamaka sruti visada ragas
Classification based on Kampita swaras
Classification based on Nyasa swaras
Classification based on Graha, Jeeva, Amsa swaras
Classification based on Sancharas
Classification based on Rasa
Classification based on Ganakala/time of singing
Closely Allied ragas
Traditional & Textual ragas
Mitra ragas
Common / Parellel ragas
Flow Charts
Janya Ragas: Computation
Repetition
Principles of Repetition
​Conclusion 
​
72 Melakartha Scheme
Melakartha Raga
The Scheme
12 Chakras
Bhuta Sankya
​Utility of the Scheme

​
Katapayadi Sutra

Katapayadi Sankya
Application
Other uses of the formula
Bhuta Sankya
Historical
History of mela nomenclature
Observations and deductions
Significance of Ma
Mela and Raga
​Deductions


Tyayodasa Lakshanas

Trayodasa Lakshana
Thirteen Characteristics
Other Lakshanas
Conclusion

​
Raga Lakshana
Melakartha Ragas
Janya Ragas


Grahabhedam (Model shift of tonic)
Thala Prastara


Kala (tempo)

Kaala
Avarthanam
Aksharam
Types of kaala
Eduppu

​
Acoustics
Greatness Of Carnatic Music 

Nature of Music
Cultural , Intellectual, Emotional and Spiritual aspects of Carnatic Music
Home


Beginner
Varisai
Geetham & Nottuswaram
Jathiswaram & Swarajathi
Varnam page 1

Intermediate
Varnam Page 2
Keerthanam Page 1 (1- 30)
Advanced
Keerthanam Page 2 ( 31 - 60 )
Keerthanam Page 3 ( 61 - 90 )
Keerthanam Page 4 (91 - 120)
Keerthanam Page 5 ( 121 - 150 )
Keerthanam Page 6 ( 151 - 180 )
Keerthanam Page 7 (181 - 210)
Keerthanam Page 8 (211 - 240)
  • Home
  • Proficiency
    • Beginner >
      • Varisai
      • Geetham & Nottuswaram
      • Jathiswaram & Swarajathi
      • Varnam page 1
    • Intermediate >
      • Varnam Page 2
      • Keerthanam Page 1 (1- 30)
    • Advanced >
      • Keerthanam Pages >
        • Keerthanam Page 2 ( 31 - 60 )
        • Keerthanam Page 3 ( 61 - 90 )
        • Keerthanam Page 4 (91 - 120)
        • Keerthanam Page 5 ( 121 - 150 )
        • Keerthanam Page 6 ( 151 - 180 )
        • Keerthanam Page 7 (181 - 210)
        • Keerthanam Page 8 (211 - 240)
      • Bhajans
      • Thillana
  • Learning Materials
    • Musicology
    • Classes
    • Notation
  • Our Maestros
    • Vaikam Padma Krishnan
    • Sakthi Krishna